Nayma Ahmed

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Nayma Ahmed

Graduate of 2026
BA (Honors) Comparative Humanities
Minor: Not applicable

Aspiration Statement

Qualitative researcher specializing in oral history, digital archiving, and interview design. Experienced in migration projects, heritage research, and archival documentation. Strong record in project coordination, metadata tagging, and research communication.

Core Skills

  • Digital Archiving
  • Fieldwork & Project Coordination
  • Metadata Tagging + Transcripts
  • Oral History Interviewing
  • Zotero

Preferred Career Paths

First priority: Qualitative Research

Second priority: Archival Management

Third priority: Teacher

Core Competencies

  • Acts with Ownership
  • Agility
  • Problem Solving

Academic Awards / Achievements

  • Dean's List 2023, 2024, 2025
  • High Achievement Scholarship 2023, 2024
  • President's List 2023, 2025

Experience

Leadership / Meta-curricular

  • Vice President,Multiverse Club

Internship / Volunteer Work

  • Research Fellow, Wow Foundation Pakistan (October 2025 – March 2026)
  • Undergraduate Researcher, Office of Research, Habib University (June – October 2025)
  • Research Fellow, Ohp Department, The Citizens Archive of Pakistan (January – May 2025)
  • Undergraduate Researcher, Office of Research, Habib University (September 2023 – January 2025)

Final Year Project

Project Title

Songs from a Burning Harmonium: Sonic Reconstruction of Identity among Afghan Refugees in Urban Karachi

Description

This thesis examines how Afghan refugees in urban Karachi reconstruct identity, belonging, and memory through sonic practices. Drawing on ethnographic fieldwork conducted with Afghan refugee youth and families, the project explores how music, language, and everyday listening function as modes of self-making in conditions of displacement. This study argues that identity reconstruction is not merely cognitive or narrative but fundamentally auditory and relational. Afghan refugees navigate Karachi’s dense and often hostile sonic terrain, while simultaneously sustaining sonic continuities through Afghan songs, raga-based musical traditions, and Persianate linguistic forms. Rather than framing these practices solely as hybridity, this thesis highlights tensions between cultural continuity and imposed political borders.